61. ‘Discord in Fairyland from Shakespeare's "A Midsummer Night's Dream"’ by Pauline Sedgwick (Mosman)
MATERIAL: High Fired Glazed Terracotta
SIZE: 36 x 48 x 28 (cm)
PRICE: $600
STATEMENT: 'A Midsummer Night's Dream' with its gentle satire of human foibles and self- delusions is one of Shakespeare's most loved plays. Here I have captured the fantasy and magic of the meeting between Oberon King of the Fairies and Queen Titania and their quarrel over a beautiful young page boy.
ARTIST BIO: My practice is influenced by 1970s and 80s participation in SA Women's Art Movement and Funk Ceramics, and the recent, feminist driven, recognition of women's traditional art forms. I have exhibited nationally and was an exhibiting member of the Sculpture Society of Australia.
62. ‘Puck the mischievous fairy messanger’ by Pauline Sedgwick (Mosman)
MATERIAL: High Fired Glazed Terracotta
SIZE: 32 x 20 x 22 (cm)
PRICE: $300
STATEMENT: Puck is also known as Robin Goodfellow in Shakespeare's "A Midsummer's Night's Dream", a mischievous spirit traditionally blamed for odd occurrences and losses. In Shakespeare's time many uneducated people still blamed him for minor mishaps.
ARTIST BIO: My practice is influenced by 1970s and 80s participation in SA Women's Art Movement and Funk Ceramics, and the recent, feminist driven, recognition of women's traditional art forms. I have exhibited nationally and was an exhibiting member of the Sculpture Society of Australia.
63. ‘Peasblossom’ by Pauline Sedgwick (Mosman)
MATERIAL: High Fired Glazed Terracotta
SIZE: 30 x 18 x 18 (cm)
PRICE: $250
STATEMENT: Peasblossom is the pert little handmaid of Titania Queen of the Fairies in Shakespeare's "A Midsummer Night's Dream". She exudes innocent enthusiasm.
ARTIST BIO: My practice is influenced by 1970s and 80s participation in SA Women's Art Movement and Funk Ceramics, and the recent, feminist driven, recognition of women's traditional art forms. I have exhibited nationally and was an exhibiting member of the Sculpture Society of Australia.
64. ‘Cobweb and her Cat’ by Pauline Sedgwick (Mosman)
MATERIAL: High Fired Glazed Terracotta
SIZE: 34 x 12 x 18 (cm)
PRICE: $250
STATEMENT: A young girl who is a handmaid to Titania the Queen of the Fairies in Shakespeare's "A Midsummer's Night's Dream". Cobweb is a deliberate reference to Greta Thunburg and our responsibility to cherish the beauty and innocence of nature.
ARTIST BIO: My practice is influenced by 1970s and 80s participation in SA Women's Art Movement and Funk Ceramics, and the recent, feminist driven, recognition of women's traditional art forms. I have exhibited nationally and was an exhibiting member of the Sculpture Society of Australia.
65. ‘In Summary Your Honour...’ by Pauline Sedgwick (Mosman)
MATERIAL: High Fired Glazed Terracotta
SIZE: 33 x 25 x 23 (cm)
PRICE: $750
STATEMENT: This assertive barrister is in High Court robes and is the embodiment of self-confident entitlement as he sums up his case. I made this splendidly old school lawyer with my tongue in my cheek! I imagine many lawyers will recognise the type.
ARTIST BIO: My practice is influenced by 1970s and 80s participation in SA Women's Art Movement and Funk Ceramics, and the recent, feminist driven, recognition of women's traditional art forms. I have exhibited nationally and was an exhibiting member of the Sculpture Society of Australia.
66. ‘With Piranha Teeth, I've Been Dreaming of You’ by Claire Tennant (Marrickville)
MATERIAL: Cold cast brass and aluminium
SIZE: 50 x 40 x 20 (cm)
PRICE: $2,000
STATEMENT: Capturing the ephemeral moment of lust between two lovers.
ARTIST BIO: Claire Tennant is a Sydney based sculptor, specialising in mould making and casting; and in particular life casting. She runs her own workshop in Sydney where she is one of Australia's only artistic mould makers for hire, as well as creating her own works.
67. ‘Don't let me will give out before my body fails’ by Claire Tennant (Marrickville)
MATERIAL: Cold cast aluminium
SIZE: 75 x 37 x 20 (cm)
PRICE: $2,750
STATEMENT: Featuring the art of shibari rope bondage, this piece speaks to the battle of submission between the body and the mind.
ARTIST BIO: Claire Tennant is a Sydney based sculptor, specialising in mould making and casting; and in particular life casting. She runs her own workshop in Sydney where she is one of Australia's only artistic mould makers for hire, as well as creating her own works.
68. ‘There is nothing to fear and nothing to doubt’ by Claire Tennant (Marrickville)
MATERIAL: Cold cast aluminium
SIZE: 66 x 40 x 20 (cm)
PRICE: $2,475
STATEMENT: Featuring the Japanese art of shibari rope bondage, this piece evokes the total trust and immersion into a state of mind where time and space cease to matter.
ARTIST BIO: Claire Tennant is a Sydney based sculptor, specialising in mould making and casting; and in particular life casting. She runs her own workshop in Sydney where she is one of Australia's only artistic mould makers for hire, as well as creating her own works.
69. ‘The Lovers’ by Nigel White (Mudgee)
MATERIAL: Redgum & Oregon
SIZE: 60 x 40 x 40 (cm)
PRICE: SOLD
ARTIST BIO: I have been trying to make art for more than 40 years. Sometimes it's a battle, other times it's not. The best thing is trying.
70. ‘The Mute Swan’ by Jeffrey Hallinan (Dubbo)
MATERIAL: Found Metal Items
SIZE: 40 x 20 x 25 (cm)
PRICE: SOLD
STATEMENT: A truly mute swan.
ARTIST BIO: Based in Dubbo NSW Jeff Hallinan has been perfecting his welding craft for the past 45 years. Collecting steel in all shapes and forms for about the same length of time and enjoys giving previously useful items a new creative purpose or mixing piece up to create something new.
71. ‘Egret in flight’ by Kenneth Smith (Ravensdale)
MATERIAL: Rio and recycled steel
SIZE: 195 x 184 x 132 (cm)
PRICE: SOLD
STATEMENT: I enjoy making bird shapes using recycled metal. I hope others enjoy this too.
ARTIST BIO: I began welding steel at an early age. I enjoy creating artworks by fusing together recycled metal objects and steel. I hope others will enjoy them too.
72. ‘Single Flower Silver x5’ by Tobias Bennett (Yanco)
MATERIAL: Steel
SIZE: 120 x 30 x 30 (cm)
PRICE: SOLD
ARTIST BIO: Tobias Bennett creates a wide variety of sculpture predominantly from steel. Tobias finds infinite inspiration in nature and enjoys exploring both figurative and abstract forms.
73. ‘White Agapanthus x4’ by Jim Hamilton (Cootamundra)
MATERIAL: Steel
SIZE: 135 x 24 x 24 (cm)
PRICE: $180 each (3 for sale)
STATEMENT: STATEMENT: The agapanthus is a beautiful flower, in some places classified as a weed. Definition of a weed - “A wild plant growing where it is not wanted” but my steel Aggies don’t grow, die or spread, and they can grow anywhere you want them…perfect!
74. ‘Blue Agapanthus x6’ by Jim Hamilton (Cootamundra)
MATERIAL: Steel
SIZE: 135 x 24 x 24 (cm)
PRICE: $180 each (6 for sale)
STATEMENT: STATEMENT: The agapanthus is a beautiful flower, in some places classified as a weed. Definition of a weed - “A wild plant growing where it is not wanted” but my steel Aggies don’t grow, die or spread, and they can grow anywhere you want them…perfect!
75. ‘21 Environmental Refugees in C Sharp (sm x5)’ by Basilios Papaioannou (Gladesville)
MATERIAL: Repurposed materials
SIZE: 70 x 50 x 40 (cm)
PRICE: $350 each (5 for sale)
STATEMENT: The Ibis has adapted to urban living in order to survive. The repurposed materials used, have also been adapted to create 21 Environmental Refugees in C Sharp, as they too have adapted but would like to return to their natural environment.
ARTIST BIO: I find beauty and inspiration from nature and from local/global climate issues that are affecting us today. My medium is repurposed found objects; while I use scale, mass, and humour to stimulate the viewer through not only thought but physical interaction and play.
76. ‘21 Environmental Refugees in C Sharp (med x8)’ by Basilios Papaioannou (Gladesville)
MATERIAL: Repurposed materials
SIZE: 70 x 50 x 40 (cm)
PRICE: $500 each (8 for sale)
STATEMENT: The Ibis has adapted to urban living in order to survive. The repurposed materials used, have also been adapted to create 21 Environmental Refugees in C Sharp, as they too have adapted but would like to return to their natural environment.
ARTIST BIO: I find beauty and inspiration from nature and from local/global climate issues that are affecting us today. My medium is repurposed found objects; while I use scale, mass, and humour to stimulate the viewer through not only thought but physical interaction and play.
77. ‘21 Environmental Refugees in C Sharp (lg x8)’ by Basilios Papaioannou (Gladesville)
MATERIAL: Repurposed materials
SIZE: 70 x 50 x 40 (cm)
PRICE: $750 each (8 for sale)
STATEMENT: The Ibis has adapted to urban living in order to survive. The repurposed materials used, have also been adapted to create 21 Environmental Refugees in C Sharp, as they too have adapted but would like to return to their natural environment.
ARTIST BIO: I find beauty and inspiration from nature and from local/global climate issues that are affecting us today. My medium is repurposed found objects; while I use scale, mass, and humour to stimulate the viewer through not only thought but physical interaction and play.
78. ‘Turtle’ by Tarisse King (Hastings)
MATERIAL: Steel
SIZE: 50 x 220 x 230 (cm)
PRICE: SOLD
STATEMENT: With this sculpture Tarisse wanted to translate her ‘Turtle' paintings & totem stories into a 3D object. The choice to use metal & rust is a reflection on the strength & longevity of the Australian Indigenous culture and the stories passed down over the centuries.
ARTIST BIO: Tarisse King was born on September 4th 1986 in Adelaide South Australia. She is the daughter of renowned influential indigenous artist, the late William King Jungala. The tribe from which she derives is the Gurindji. Now in New Zealand, as a mother of 5 Tarisse is a full time artist.
79. ‘Ahead’ by Harrie Fasher (Portland)
MATERIAL: Steel
SIZE: 183 x 203 x 230 (cm)
PRICE: SOLD
STATEMENT: “Ahead” is our guardian. She was intended to be the head for “Transition” the largest work I have built to date; however it was too large, meaning the finished sculpture would not fit within the confines of the studio roof! Ahead became a work on its own right… ‘we were not behind but ahead!’. And Transition went on to win Sculpture by the Sea in Cottesloe WA.
ARTIST BIO: Artist represented by King Street Gallery on William.
80. ‘Cudgegong Guardian’ by Jeff Stewart (Alstonville)
MATERIAL: Wood, steel and rubber
SIZE: 1200 x 2500 x 2500 (cm)
PRICE: SOLD
STATEMENT: Fashioned from fire and earth, the "Cudgegong Guardian" stands ready to protect his river. Like a Steampunk Centurion Warrior and the first son of Mother Nature, the scars of many environmental battles have created his mutant turtle form.
ARTIST BIO: Jeff Stewart has been a periodic entrant in regional art and sculptural exhibitions for most of his life. The most recent being awarded the "Coraki Art Prize 2018" in Sculpture. Now in his mid sixties his style continues to evolve and provoke wonderment.
81. ‘Untitled Number 9’ by Rodney Klajman (Blaxland)
MATERIAL: Hebel
SIZE: 57 x 20 x 20 (cm)
PRICE: SOLD
STATEMENT: The inspiration for this design is based on a unique group of townhouses within my area, adding extra geometric shapes for a continually flowing piece.
ARTIST BIO: Rodney Klajman has lived in the Blue Mountains since 1998, and works in the mediums of wood and hebel. His ideas expanded from earlier pieces of completed works often taken from surrounding structures and objects, combining flowing curves and inspired by tattoo art.
82. ‘Untitled Number 10’ by Rodney Klajman (Blaxland)
MATERIAL: Hebel
SIZE: 20 x 57 x 10 (cm)
PRICE: SOLD
STATEMENT: The inspiration for this idea is a cartoon stylised version of a gene sequence.
ARTIST BIO: Rodney Klajman has lived in the Blue Mountains since 1998, and works in the mediums of wood and hebel. His ideas expanded from earlier pieces of completed works often taken from surrounding structures and objects, combining flowing curves and inspired by tattoo art.
83. ‘Grotesque Number 2’ by Rodney Klajman (Blaxland)
MATERIAL: Hebel
SIZE: 60 x 20 x 20 (cm)
PRICE: SOLD
STATEMENT: When creating this Grotesque I started from the corner of the block to give the impression of a very angular nose, also to mimic a look of intensity for the eyes and eyebrows.
ARTIST BIO: Rodney Klajman has lived in the Blue Mountains since 1998, and works in the mediums of wood and hebel. His ideas expanded from earlier pieces of completed works often taken from surrounding structures and objects, combining flowing curves and inspired by tattoo art.
84. ‘Escargot’ by Stephen Hogan (Bathurst)
MATERIAL: Recycled steel
SIZE: 80 x 55 x 55 (cm)
PRICE: $4,800
STATEMENT: Speed is relative.
ARTIST BIO: Where others just see scrap steel, Stephen Hogan sees beauty, form and shape. He creates pieces that respect and preserve the original but strives to give them new form, life and meaning in a modern context. Hogan works full time as a sculptor from his studio in Bathurst.
85. ‘The Chatters’ by François Jaggi (Armidale)
MATERIAL: Corten Steel, stainless steel 316 grade
SIZE: 400 x 120 x 120 (cm)
PRICE: $3,800
STATEMENT: The Chatters is an observation of people coming together, sharing stories and experiences. It highlights the importance of the human interaction. The chance to socialise and express opinions, particularly in times of hardship, draws me to the relevance this work.
ARTIST BIO: After studying at the Geneva School of Arts, I worked across Switzerland for Cartier and Rolex as a jewellery designer. I then moved to Australia where I found sculpture to be an exciting venture with limitless possibilities. I exhibit my works in Australia & Internationally for the corporate and private buyers.
86. ‘Cube Formation’ by Morgan Shimeld (Katoomba)
MATERIAL: Steel, powder coated
SIZE: 90 x 480 x 150 (cm)
PRICE: $10,000
STATEMENT: Cube Formation references both the built and natural environments. Mimicking patterns in nature, abstracted into a series of straight edged forms reminiscent of urban growth.
ARTIST BIO: The work of Morgan Shimeld, is primarily concerned with the complex arrangement of abstracted minimalist forms. He works intuitively, striving to find a natural sense of balance, strength, and elegance in his work. His practice is informed by the art movements of Minimalism, Formalism and Geometric Abstraction.
87. ‘Embryonic’ by Micha Nussinov (Paddington)
MATERIAL: Wood
SIZE: 46 x 46 x 27 (cm)
PRICE: $2,950
STATEMENT: The local council tree lopping gifts me sections of unwanted timber, that encapsulate possibilities. Carved and about to roll away, its energy held within the bark and timber fibres I carve, chisel and rasp, a protected world within.
ARTIST BIO: Graduated Diploma in Film Technique London, worked as Director Cinematographer of conceptual films. Received many prizes and acknowledgments for sculpture through Sculptural Society. As a multi-disciplinary artist my creativity is linked through a maze of associations. I do not draw an idea and follow the line, but let things evolve.
88. ‘Cocoon’ by Michael Ferris (Mudgee)
MATERIAL: Copper
SIZE: 250 x 90 x 90 (cm)
PRICE: SOLD
STATEMENT: Using the concept of a cocoon, this piece is ready to burst into life. I wanted to metamorphic the materials used- from reclaimed copper into new life and mirror that of a caterpillar cocooning itself ready to bloom.
ARTIST BIO: My work focuses on simple botanical form, challenging traditional methods to transform ordinary materials into something eye catching whilst revealing an unexpected form in a previously unseen way. I want my creations to look like they could have lived or grown somewhere.
89. ‘REOPENING’ by Kenneth Hutchinson (Cowra)
MATERIAL: Carra marble and Eugowra black granite base.
SIZE: 170 x 40 x 17 (cm)
PRICE: $15,000
STATEMENT: There is a crack in everything and that’s where the light gets in” - Leonard Cohen. We are on the verge of REOPENING our lives and society.
ARTIST BIO: Central West artist specializing in private and public commission. Major public works, Bathurst Hospital, Sculpture in the Scrub, Maroochydore Council, Japanese Garden Cowra, Ashfield Council, Mudgee Council, Warwick Council Qld, Darbyshire Eco Centre Wirksworth U.K, Represented in the John and Elizabeth Baker collection on three occasions. Numerous private commissions
90. ‘Janka’ by Ludwig Mlcek (Cox Creek)
MATERIAL: Steel, coreboard, high density EPS, polymer render, paint.
SIZE: 250 x 60 x 50 (cm)
PRICE: $10,000
STATEMENT: Human figure has always been my favourite subject. In any shape or form, from abstract to classical and in any material.
ARTIST BIO: Ludwig is a Czech born sculptor participating in sculpture symposiums in Europe and exhibiting in Australia regularly. He's been a finalist at SXS Bondi, University of Western Sydney Sculpture Award, Scenic World, Yering Station Sculpture Prize and many more. Winner of Hunters Hill sculpture Prize and received Allens Arthur Robinson Scholarship 2007.